Updated Daily: January 2007 - February 2020
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2018
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July
(31)
- still kissing me
- the less I seem to care
- your scent
- letting go
- more
- feel alive
- winds of change are blowing wild and free
- thrill
- lust
- watermelon
- knowing
- en silencio tu mirada dice mil palabras
- come on, save my soul
- you're running from
- simplemente la mano nos damos, y despues que murmu...
- fue sólo por orgullo ese querer
- te invento a veces con mi vanidad
- I want more
- in love on this new moon
- melt with you
- como si fuera esta noche la última vez
- joy follows
- gloriousness and wretchedness
- tu risa resbalada
- liquid moonlight
- amazing grace
- chaos
- gonna make you
- somewhere somehow
- con tu nombre
- a fuego lento a fuego viejo
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July
(31)
SEARCH ARCHIVES
Tuesday, July 31
still kissing me
Monday, July 30
the less I seem to care
mixed media on paper |
"What I like best about myself...is my audacity, my courage. The ways I have found to be true to myself without causing too much pain or damage. What I hate so much is my vanity, my need to shine, my need of applause and my sentimentality. I would like to be harder. I cannot make a joke, make fun of anyone, without feeling regrets."- Anaïs Nin (1903-1977)I love the artist in me who dares with such security...
I love the author in me, birthing new worlds out of dreams and hopes...
I don't use the word "hate" - but I do dislike my need to please others...my need to be loved by all...although the older I get, the less I seem to care...
Sunday, July 29
your scent
Saturday, July 28
letting go
Heartbreak begins the moment we are asked to let go but cannot, in other words, it colors and inhabits and magnifies each and every day; heartbreak is not a visitation, but a path that human beings follow through even the most average life. Heartbreak is an indication of our sincerity: in a love relationship, in a life’s work, in trying to learn a musical instrument, in the attempt to shape a better more generous self. Heartbreak is the beautifully helpless side of love and affection and is just as much an essence and emblem of care as the spiritual athlete’s quick but abstract ability to let go. Heartbreak has its own way of inhabiting time and its own beautiful and trying patience in coming and going.
Heartbreak is how we mature; yet we use the word heartbreak as if it only occurs when things have gone wrong: an unrequited love, a shattered dream, a child lost before their time. Heartbreak, we hope, is something we hope we can avoid; something to guard against, a chasm to be carefully looked for and then walked around; the hope is to find a way to place our feet where the elemental forces of life will keep us in the manner to which we want to be accustomed and which will keep us from the losses that all other human beings have experienced without exception since the beginning of conscious time. But heartbreak may be the very essence of being human, of being on the journey from here to there, and of coming to care deeply for what we find along the way.
…If heartbreak is inevitable and inescapable, it might be asking us to look for it and make friends with it, to see it as our constant and instructive companion, and even perhaps, in the depth of its impact as well as in its hindsight, to see it as its own reward. Heartbreak asks us not to look for an alternative path, because there is no alternative path. It is a deeper introduction to what we love and have loved, an inescapable and often beautiful question, something or someone who has been with us all along, asking us to be ready for the last letting go."
Friday, July 27
more
Thursday, July 26
feel alive
Wednesday, July 25
winds of change are blowing wild and free
Tuesday, July 24
thrill
- Marilyn Monroe
Monday, July 23
lust
While doing some research for a series of mixed media, I stumbled upon these inspiring words of wisdom:
Sunday, July 22
watermelon
"Woman is like a fruit which will only yield its fragrance when rubbed by the hands. Take for example the basil: unless it be warmed by the fingers, it emits no perfume. And do you know that unless amber is warmed and manipulated it retains it's aroma within? The same with women: if you do not animate her with frolics and kisses, with nibbling of her thighs and close embraces, you will not obtain what you desire: you will experience no pleasure when she shares your couch and she will feel no affection for you." - Sir Richard Burton, circa 1886
excerpt from a delicious book my Latin Lover gifted me many moons ago
snapshot: watermelon, from a series of fruit
Saturday, July 21
knowing
Friday, July 20
en silencio tu mirada dice mil palabras
Cuanto tu me miras se me sube el corazón
La noche en la que te suplico que no salga el sol...
Tu cuerpo y el mio llenando el vacío
Subiendo y bajando...
Ese fuego por dentro me esta enloqueciendo,
Me va saturando
La cerveza y el tequila y tu boca con la mía
Ya no puedo mas
Ya no puedo mas
Con esta melodía, tu color, tu fantasía
Con tu filosofía mi cabeza esta vacía
Y ya no puedo mas
Ya no puedo mas
Bailar contigo, tener contigo
Una noche loca
Ay besar tu boca
Yo quiero estar contigo, vivir contigo
Bailar contigo,
Tu latidos aceleran a mi corazón,
Abrazarte y sentir la magia de tu olor...
Bailando amor, es que se me va el dolor..."
Thursday, July 19
come on, save my soul
in my bowl
I want a little sweetness
down in my soul
I could stand some lovin'
Oh so bad
I feel so funny and I feel so sad
I want a little steam
on my clothes
Maybe I can fix things up
so they'll go
Whatsa matter Daddy
Come on, save my soul
I need some sugar in my bowl
I ain't foolin'
I want some sugar in my bowl
You been acting different
I've been told
Soothe me
I want some sugar in my bowl
I want some steam
on my clothes
Maybe I can fix things up so they'll go
Whatsa matter Daddy
Come on save my soul
I want some sugar in my bowl
I ain't foolin'
I want some - yeah - in my bowl..."
Wednesday, July 18
you're running from
- Bob Marley (1945-1981)
mixed media on paper
Tuesday, July 17
simplemente la mano nos damos, y despues que murmure la gente
- Frida Kahlo and Chavela Vargas, 2013 mixed media on paper - |
y en el ultimo trago nos vamos.
Quiero ver a que sabe tu olvido,
sin poner en mis ojos tus manos.
Esta noche no voy a rogarte,
esta noche te vas de deveras.
Que dificil tratar de olvidarte,
sin que sienta que ya no me quieras...
Nada me han enseñado los años,
siempre caigo en los mismos errores,
otra vez a brindar con extraños,
y a llorar por los mismos dolores...
Tomate esta botella conmigo,
y en el ultimo trago me besas.
Esperamos que no hayan testigos,
por si acaso te diera verguenza.
Si algun dia sin querer tropezamos,
no te agaches ni me hables de frente,
simplemente la mano nos damos,
y despues que murmure la gente..." - Chavela Vargas
Monday, July 16
fue sólo por orgullo ese querer
Sunday, July 15
te invento a veces con mi vanidad
Saturday, July 14
I want more
Friday, July 13
in love on this new moon
Thursday I don't care about you -
It's Friday I'm in love -
Tuesday Wednesday break my heart -
Oh, Thursday doesn't even start -
It's Friday I'm in love -
And Sunday always comes too late
But Friday never hesitate
Tuesday, Wednesday heart attack
Thursday never looking back
It's Friday I'm in love
Tuesday, Wednesday stay in bed
Or Thursday watch the walls instead
It's Friday I'm in love
And Sunday always comes too late
But Friday never hesitate
It's a wonderful surprise
To see your shoes and your spirits rise
Throwing out your frown
And just smiling at the sound
And as sleek as a shriek
Spinning round and round
Always take a big bite
It's such a gorgeous sight
To see you in the middle of the night
You can never get enough
Enough of this stuff
It's Friday
I'm in love
Tuesday's gray and Wednesday too
Thursday I don't care about you
It's Friday I'm in love
Tuesday, Wednesday break my heart
Thursday doesn't even start
It's Friday I'm in love..."
Thursday, July 12
melt with you
"moving forward using all my breath -
making love to you was never second best -
I saw the world thrashing all around your face -
never really knowing it was always mesh and lace -
I'll stop the world and melt with you -
you've seen the difference and -
it's getting better all the time -
there's nothing you and I won't do -
I'll stop the world and melt with you -
dream of better lives the kind which never hate -
dropped in the state of imaginary grace -
I made a pilgrimage to save this human race -
never comprehending a race that long gone by -
I'll stop the world and melt with you -
you've seen the difference and it's getting better all the time -
there's nothing you and I won't do -
I'll stop the world and melt with you -
the future's open wide..."
- Modern English
Wednesday, July 11
como si fuera esta noche la última vez
Bésame, bésame mucho,
Como si fuera esta noche
La última vez.
Bésame, bésame mucho,
Que tengo miedo a perderte
Perderte después.
Quiero tenerte muy cerca,
Mirarme en tus ojos,
Y estar junto a tí.
Piensa que tal vez mañana,
Estaré muy lejos,
Muy lejos de aquí.
Bésame, bésame mucho,
Que tengo miedo a perderte
Perderte después.
- original lyrics by Consuelo Velázquez (1917- 2005)
Tuesday, July 10
joy follows
- my shadow is long and lean -
"We are shaped by our thoughts; we become what we think. When the mind is pure, joy follows like a shadow that never leaves." - Buddha
There are infinite ways to purify one's mind.
I sit in silence, focusing on my breath...
I paint with absolute abandon...
I practice yoga...
I focus on the sacredness of the present moment...
I dance the wild dance of a woman taken over by ecstasy...
Monday, July 9
gloriousness and wretchedness
Sunday, July 8
tu risa resbalada
"I crave your mouth, your voice, your hair. Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratúe."
- Pablo Neruda translated by Stephen Tapscott
"Tengo hambre de tu boca, de tu voz, de tu pelo
y por las calles voy sin nutrirme, callado,
no me sostiene el pan, el alba me desquicia,
busco el sonido líquido de tus pies en el día.
Estoy hambriento de tu risa resbalada,
de tus manos color de furioso granero,
tengo hambre de la pálida piedra de tus uñas,
quiero comer tu piel como una intacta almendra.
Quiero comer el rayo quemado en tu hermosura,
la nariz soberana del arrogante rostro,
quiero comer la sombra fugaz de tus pestañas
y hambriento vengo y voy olfateando el crepúsculo
buscándote, buscando tu corazón caliente
como un puma en la soledad de Quitratúe."
- Pablo Neruda
detail from mixed media on paper
Saturday, July 7
liquid moonlight
"A Wild Woman doesn't want to be your Girly friend
Can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature."
- Alison Nappi